M La Scène is an online medium specialising in the analysis and criticism of theatre and other forms of performing arts. We are totally independent and driven by a philanthropic vocation. We provide coverage of the French theatre scene, offering honest and unbiased reviews, professional interviews with artists and directors, as well as in-depth articles on trends and developments in contemporary theatre. We pride ourselves on our editorial independence and are committed to providing our readers with an informed critical perspective on the shows we cover.
Whether you’re a seasoned theatre enthusiast or simply curious about the latest productions, M La Scène is the ideal destination for quality reviews, recommendations and in-depth analysis. We cover a wide variety of live performances, including theatre, dance, music, opera, circus and much more.
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Discover the exciting cultural scene with M La Scène – your source for theatre, dance and music reviews! Here, we offer you impartial reviews written with rigour and independence to give you an objective opinion on artistic performances linked to current cultural events.
But that’s not all! On our Mlascene YouTube channel, you’ll have access to interviews with directors, performers and musicians. They’ll share with you the keys to their creations, giving you privileged behind-the-scenes access to their works.
Join our community today by subscribing to our website to keep up to date with our latest theatre reviews and exclusive interviews. Don’t miss the reviews and interviews with directors presenting their shows at the 77th edition of the Festival d’Avignon!
We look forward to welcoming you to M La Scène to share our favourite shows, experiences and encounters with you. Don’t miss the chance to immerse yourself in the artistic and cultural excitement!
Marie-Laure Barbaud, Editor-in-Chief, M La Scène
M La Scène brings you independent coverage of this prestigious event.
Discover our reviews and interviews on shows from the Festival In and Festival Off.
Philippe Torreton, la Folle journée ou le Mariage de Figaro de Beaumarchais, à la Scala Provence et Paris, m.e.s Léna Bréban. Pourquoi le monologue est-ilporteur d'idéaux révolutionnaires ,
@lena.breban @la.scala.provence @la.scala.paris #Beaumarchais #Figaro #Théâtre
[Festival Off Avignon] La Folle journée ou Le Mariage de Figaro
@Projet_Scala @Mlascene @LenaB65187
[interview video exclusive] Léna Bréban et Philippe Torreton :
[critique] : https://mlascene-blog-theatre.fr/critique-la-folle-journee-ou-le-mariage-de-figaro/
#festivaloffavignon #Théâtre #lemariagedefigaro
🎭 Pourquoi Léna Bréban met en scène Figaro aujourd’hui ? L'interview complète, c'est ici 👉
📍 @festivaloffavignon @dominiqueracle
Avec @philippetorreton
#FestivalOffAvignon #Avignon2025 #Théâtre #Beaumarchais #LénaBréban #PhilippeTorreton
Léna Bréban, m.e.s La folle journée ou le mariage de Figaro (Beaumarchais), à La Scala Provence
2 moteurs : collaboration avec Philippe Torreton & résonance avec l’actu.
🎥 ITW : https://youtu.be/XMD1j-52-3k
@lena.breban @philippetorreton @dominiqueracle
#Theatre #festivaloffavignon
Marie-Laure BARBAUD
Editor of the Mlascène website
Theatre, Dance and Music Reviews
Don’t hesitate to draw our attention to your theatrical creations or the theatre or dance shows you represent, and to send us your press kits so that we can include your new shows in our diary. You can, at your earliest convenience, contact the M La Scène theatre blog :
In agreement with Thomas Mann:
There is no true passion but criticism
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Going to the theatre is in itself an act of commitment. It’s about leaving behind the confines of your own home and becoming one of a human community, alive and vibrant, in a moment shared and experienced.
The Web media M La Scène created the LM (« elle aime / she likes ») of the performing arts to help in the choice of shows and outings. This indicator takes into account the interest of the text, the choreography and the show, as well as the quality of the actors’ performances and the richness of the stage effects. It provides a summary rating of theatre and dance reviews on five levels:
