Independent reviews of theatre and other live performances:

Discover our theatre reviews, opinions and favourites

M La Scène is an online medium specialising in the analysis and criticism of theatre and other forms of performing arts. We are totally independent and driven by a philanthropic vocation. We provide coverage of the French theatre scene, offering honest and unbiased reviews, professional interviews with artists and directors, as well as in-depth articles on trends and developments in contemporary theatre. We pride ourselves on our editorial independence and are committed to providing our readers with an informed critical perspective on the shows we cover.

Whether you’re a seasoned theatre enthusiast or simply curious about the latest productions, M La Scène is the ideal destination for quality reviews, recommendations and in-depth analysis. We cover a wide variety of live performances, including theatre, dance, music, opera, circus and much more.

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Recent theatre, dance and music reviews from M La Scène web media in english

M La Scène: cultural web media

Discover the exciting cultural scene with M La Scène – your source for theatre, dance and music reviews! Here, we offer you impartial reviews written with rigour and independence to give you an objective opinion on artistic performances linked to current cultural events.

But that’s not all! On our Mlascene YouTube channel, you’ll have access to interviews with directors, performers and musicians. They’ll share with you the keys to their creations, giving you privileged behind-the-scenes access to their works.

Join our community today by subscribing to our website to keep up to date with our latest theatre reviews and exclusive interviews. Don’t miss the reviews and interviews with directors presenting their shows at the 77th edition of the Festival d’Avignon!

We look forward to welcoming you to M La Scène to share our favourite shows, experiences and encounters with you. Don’t miss the chance to immerse yourself in the artistic and cultural excitement!

Marie-Laure Barbaud, Editor-in-Chief, M La Scène

Festival d'Avignon 2023

Immerse yourself in the must-see event of the year: the Festival d’Avignon 2023!

M La Scène brings you independent coverage of this prestigious event.
Discover our reviews and interviews on shows from the Festival In and Festival Off.

Theatre, dance, music and opera reviews

Critique Pallaksch Pallaksch! #2 Le Voile de Pierrette

Au Petit Odéon, lieu mythique récemment ressuscité par la volonté de Julien Gosselin, le nouveau directeur du…

Critique Le Misanthrope

A la Comédie-Française, Clément Hervieu-Léger reprend Le Misanthrope. Finesse et rigueur…

Critique THE ABORRRTION SHIP

The Aborrrtion Ship embarque le spectateur dans un tumulte fiévreux et totalement maîtrisé. Une odyssée où la…

Critique Occupations

Au T2G – Théâtre de Gennevilliers, Séverine Chavrier présente, dans le cadre du Festival d'Automne, Occupations, sa…

Clément Hervieu-Léger, un cap clair pour la Comédie-Française

Une vision sans emphase, ancrée dans le réel L’entretien accordé à France Inter par Clément Hervieu-Léger…

Critique Pétrole

Au Théâtre de l’Odéon, Pétrole s’embrase sous la houlette de Sylvain Creuzevault. Œuvre posthume et morcelée,…

Critique Boule de neige

Boule de neige, destiné aux enfants dès dix ans, interroge la naissance d’une rumeur et la fabrication du vrai. À…

Critique Pallaksch Pallaksch! #1 Le Feu inversé

La renaissance du Petit Odéon en salle de spectacle était très attendue. Pallaksch Pallaksch!, conçu et mis en…

Critique Musée Duras

Musée Duras, de Julien Gosselin, le nouveau directeur de l'Odéon, s'apparente à un manifeste et s’impose comme un…

Critique L’École de danse

À la Comédie-Française, Clément Hervieu-Léger redonne souffle et visibilité à L’École de danse, pièce longtemps…

Une alliance historique

Ils n’avaient jamais uni leurs forces. Soixante-dix-neuf ans après leur création, le Edinburgh International…

Critique Trancher

Trancher, au Théâtre La Flèche, fouille l’héritage, la judéité et le vertige du choix amoureux. Sophie Engel,…
INTERVIEW M LA SCÈNE : TIAGO RODRIGUES
Tiago Rodrigues, Hécube pas Hécube, livre les clés du spectacle au Festival d'Avignon,  @Mlascene

What am I?

mlascene ``Multiplier le regard``

Marie-Laure BARBAUD
Editor of the Mlascène website
Theatre, Dance and Music Reviews

DOSSIERS DE PRESSE

Don’t hesitate to draw our attention to your theatrical creations or the theatre or dance shows you represent, and to send us your press kits so that we can include your new shows in our diary. You can, at your earliest convenience, contact the M La Scène theatre blog :

REVIEWS OF THEATRE & OTHER LIVE PERFORMANCES

In agreement with Thomas Mann:
There is no true passion but criticism

THEATRE REVIEWS: SHOWS SEEN, LOVED AND SHARED

Going to the theatre is in itself an act of commitment. It’s about leaving behind the confines of your own home and becoming one of a human community, alive and vibrant, in a moment shared and experienced.

THE SHOW'S LM : WELL-FOUNDED THEATRE REVIEWS

The Web media M La Scène created the LM (« elle aime / she likes ») of the performing arts to help in the choice of shows and outings. This indicator takes into account the interest of the text, the choreography and the show, as well as the quality of the actors’ performances and the richness of the stage effects. It provides a summary rating of theatre and dance reviews on five levels:

  • LM: little
  • LMM: moderately
  • LMMM: well
  • LMMMM: a lot
  • LMMMMM : really

Article à paraître : CRITIQUE du MISANTHROPE de MOLIÈRE, mise en scène Clément HERVIEU-LÉGER, à la Comédie-Française